Я Ураз Хайдар родился в 1957 году в селе Навруз,Чиракчинского района Кашкадарьинской области Республики Узбекистан . Окончил географический факультет отдел гидрологии суши ТашГУ, 1980 г. Являюсь главним редактором газеты «Posbon». С 2005 года член Союза писателей Республики Узбекистан. Увлекаюс поэзией с 15 лет. Первые стихи были опубликованы в 1979 году в альманахе «Ёшлик» (Молодость). До сегодняшнего дня изданы свыше 20 книг, из них 16 поэтечские произведение. Мои стихи переведены на русский, английский, немецкий, тюркийский, таджикский, ассамиский языках. Кроме этого имею 2 романа с названиями «Талваса» (Лихорадка), «Буғдойзор оралаган сўқмоқлар” (Тропинки в пшеничных полях). Увликаюсь переводом. Переводёл некоторые произведение аргентинского поэта А. Порке, русских писателей и поэтов В.Шукшина, И. Бунина, Е. Евтушенко, Р. Рождественского, К. Ваншенкина и д.р. на узбекский язык.
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Paradigms of knowledge, 2, 2014
Empirical and applied research Empirical and applied research
UDC 894.322 UDC 894.322
REFLECTION OF BANNED PERIOD TRAGEDIES REFLECTION OF BANNED PERIOD TRAGEDIES
IN THE EPOS «WAITING DISTANCE» BY UROZ HAYDAR IN THE EPOS «WAITING DISTANCE» BY UROZ HAYDAR
- Bahriddinova, senior teacher D. Bahriddinova, senior teacher
National University of Uzbekistan, Tashkent, Uzbekistan National University of Uzbekistan, Tashkent, Uzbekistan
Summary. Summary. In this article there is given some information about the refl ection of banned In this article there is given some information about the refl ection of banned
period tragedies in the epic poem «Waiting distance» by an Uzbek poet Uroz Haydar, poet’s period tragedies in the epic poem «Waiting distance» by an Uzbek poet Uroz Haydar, poet’s
poetic skill in expressing banned period tragedies. poetic skill in expressing banned period tragedies.
Keywords: Keywords: literature; ban; tragic nature; poem; lyrical hero; poetic cliché; poem’s literature; ban; tragic nature; poem; lyrical hero; poetic cliché; poem’s
artistic value; poet’s skill. artistic value; poet’s skill.
The Chinese writer Mo Yan who was The Chinese writer Mo Yan who was
awarded with Nobel prize in literature awarded with Nobel prize in literature
fi eld in 2012 said in his lecture «the best fi eld in 2012 said in his lecture «the best
way of expressing the words in the depth of way of expressing the words in the depth of
your heart is writing them on the paper». your heart is writing them on the paper».
The thing which impresses, encourages The thing which impresses, encourages
the writer is the fi rst factor that makes him the writer is the fi rst factor that makes him
write. The main important thing is that the write. The main important thing is that the
novel which is going to be written springs novel which is going to be written springs
up with its topic and genre. The poet Uroz up with its topic and genre. The poet Uroz
Haydar’s epos «Waiting distance» belongs Haydar’s epos «Waiting distance» belongs
to such type of the novels. The epos is writ- to such type of the novels. The epos is writ-ten
about the banned period victims and ten about the banned period victims and
tragedies. One of the modern Uzbek eposes tragedies. One of the modern Uzbek eposes
which refl ects 37th years tragedies with all which refl ects 37th years tragedies with all
details is the epos by Zulfi yakhonim titled details is the epos by Zulfi yakhonim titled
«Pieces of my memory», the second is «the «Pieces of my memory», the second is «the
waiting distance» by Uroz Haydar. Both of waiting distance» by Uroz Haydar. Both of
the novels have biographic character. the novels have biographic character.
Zulfi yakhonim’s epos «pieces of my Zulfi yakhonim’s epos «pieces of my
memory» was dedicated to her brother memory» was dedicated to her brother
who was victim of the banned period, and who was victim of the banned period, and
Uroz Haydar’s epos «Waiting distance» Uroz Haydar’s epos «Waiting distance»
was dedicated to his grandfathers’ memo- was dedicated to his grandfathers’ memo-ries
who were victims of the banned pe- ries who were victims of the banned pe-riod
too. In the epos the personality of the riod too. In the epos the personality of the
author takes the leading place. The poet author takes the leading place. The poet
feels the happened event through his soul feels the happened event through his soul
prism. The legend is narrated by the poet. prism. The legend is narrated by the poet.
In the epos expressing the attitude to the In the epos expressing the attitude to the
events is more leader than depicting them. events is more leader than depicting them.
It doesn’t appear just as a narration of the It doesn’t appear just as a narration of the
events. «Waiting distance» – is the poet’s events. «Waiting distance» – is the poet’s
fi rst big novel in the poetry. The epos, fi rst big novel in the poetry. The epos,
written with interminable hatred and written with interminable hatred and
grief, warns us about the implement of the grief, warns us about the implement of the
waiting distance there in which country waiting distance there in which country
the meanness and brutality are the bases the meanness and brutality are the bases
of the society; it is said that «It was the of the society; it is said that «It was the
period when the words which should be period when the words which should be
said were impossible to be said, mouthes said were impossible to be said, mouthes
were sewed with the thread of fear». As in were sewed with the thread of fear». As in
the novel «Chronicle of a Death Foretold» the novel «Chronicle of a Death Foretold»
by Gabriel Garcia Marquez the whole so- by Gabriel Garcia Marquez the whole so-ciety
was the participator of the brothers ciety was the participator of the brothers
Vicarious’ murder, actually, people’s be- Vicarious’ murder, actually, people’s be-ing
indifference, not fi ghting against ex- ing indifference, not fi ghting against ex-isted
unfairness and violence, being kept isted unfairness and violence, being kept
as spectators without doing anything is as spectators without doing anything is
also tragedy, and it is shown in the epos. also tragedy, and it is shown in the epos.
The author started the novel with the part The author started the novel with the part
titled «My father’s story». There the sym- titled «My father’s story». There the sym-bol
of the father is given not only as the bol of the father is given not only as the
narrator of the events in the name of his narrator of the events in the name of his
father and grandfather, but also as the father and grandfather, but also as the
experienced wise person who teaches the experienced wise person who teaches the
mankind the past days experience. mankind the past days experience.
By 37th years the Party lost its author- By 37th years the Party lost its author-ity
and became dependent to NCIA (Na- ity and became dependent to NCIA (Na-tional
Commissariat of Internal Affairs). tional Commissariat of Internal Affairs).
Because all arrests, executions were ful- Because all arrests, executions were ful-fi
lled by this organization. «As the result fi lled by this organization. «As the result
of the politics realized on the base of the of the politics realized on the base of the
instruction given by Stalin like «when the instruction given by Stalin like «when the
socialism strengthens, the class struggle socialism strengthens, the class struggle
also aggravates», the people, who were un- also aggravates», the people, who were un-der
their hands, were expelled mercilessly, der their hands, were expelled mercilessly,
pitilessly. The people faced the extreme pitilessly. The people faced the extreme
famine, starvation and mass slaughter, famine, starvation and mass slaughter,
massacre» [1, . . 183]. This dreadful expel, massacre» [1, . . 183]. This dreadful expel,
the massacre hounded billions of people to the massacre hounded billions of people to
death. The poet equalizes the country with death. The poet equalizes the country with
Empirický a aplikovaný výzkum Empirický a aplikovaný výzkum
the land built with the dead. The French the land built with the dead.
(19 голосов, средний бал: 3,32 из 5)
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